The superb set was a major strength, designed by Doug Taylor and built by him and Steve Lambell. It was cleverly constructed and strongly erected. It depicted the atmosphere of Marshwood superbly and is what we have come to expect from Thame Players.  The Players always seem to find the correct music to play before the show and between sets which always adds to the atmosphere and both lighting and sound were smooth and effective.  Credit must go to the wardrobe ladies Elaine Moore, Jacqui Taylor and Colleen Tudway for the authentic costumes.  The evening dresses were gorgeous and the ladies looked dazzling with their jewellery.  I particularly liked the diaphanous dress worn by Miranda in the second half.  We are always given a warm welcome from  Freda Castle on box office and the front of house team.  The programme was well designed with photos and CV’s of the cast which is always helpful especially with a large cast.

Felicity, Countess of Marshwood, was played by June Garland who gave a very strong performance as the elegant lady of the house. Her role was large as she was on stage for almost all of the play but she carried her part well and was extremely convincing. Her machinations to get rid of an unsuitable wife for her son were capital.  Rob Wratten, who played Hon.Peter Ingleton, seems to excel in whatever role he tackles and he gave a fine performance as the laid back nephew of Felicity.  Anna McNeil as Moxie, was impressive as the lady’s maid demonstrating several emotions with skill. Her transformation from maid to lady was hilarious.  Simon Baynes was imposing as Admiral Sir John Hayling a friend of the family, together with Lady Cynthia Hayling skilfully played by Colleen Tudway who was elegant, snobbish and imposing in her role.  Tim Proctor was excellent as Nigel, the dashing Earl of Marshwood, always falling in love with unsuitable ladies much to his mother’s despair.  Penny Harper who played Miranda Frayle, gave a convincing performance as the actress interloper and she sustained her American accent throughout, not an easy accent to master.  Anne Lankester was wonderful as the fussy star struck housemaid, Alice, playing her part to perfection.  Victor Gaultney as Don Lucas was excellent as the love interest and the one who put the cat amongst the pigeons, I saw his Prospero in the Tempest and he has lost none of his skill.  Tony Long, last but by no means least, was Crestwell, the butler.  A wonderful role and Tony gave it his all.  He had the best lines by far and his delivery was highly professional and because of this his performance elicited the most laughs.

Making her debut as director Val Cockayne did a simply superb job.  The direction was faultless and the choice of play could not have been better. Noel Coward is a wonderful playwright and his acid wit makes his work a joy to see. Well done Thame Players, you have done it again.